Advanced throwing techniques can truly transform your pottery, opening up a world of creative possibilities on the wheel. As you advance in your craft, you’ll be able to create complex forms and intricate designs. Centering a large amount of clay, for example, becomes essential for bigger projects. Start by wedging the clay thoroughly to remove air bubbles, which is extra important when you’re working with larger quantities. Then, slap the clay firmly onto the center of your wheel head. Use your body weight, keeping your elbows tucked in, to cone the clay upwards and press it down, gradually coaxing it into perfect center. Centering clay can be a challenging aspect of working on the wheel.
As you explore these more complex techniques, having the right tools can make all the difference. DiamondCore tools are fantastic for carving detailed designs, with their sharp blades making clean lines with ease. Mudtools also offer durable trimming tools that are great for shaping larger pieces. Pottery tools can greatly improve your process.
Of course, every potter knows that the type of clay you use can have a huge impact on your work, and this is especially true when trying advanced techniques.
Clay with high plasticity, like porcelain, is excellent for intricate shapes but can be tricky because it tends to warp during drying and firing. Adding grog (pre-fired clay) can help maintain the structure of your piece, preventing slumping, but too much can reduce the clay’s plasticity. Finding the right balance is key! And let’s be real, you will face challenges. Uneven walls are a common issue, but consistent practice and mindful pulling techniques can help you achieve uniform thickness. Overworking the clay can weaken it, so aim to get the height you want in as few pulls as possible. Remember, pottery is a journey, and every wobble is a learning opportunity.
Looking at contemporary artists can also provide a spark of inspiration!
Take Casey Zablocki, for instance, whose rugged ceramic sculptures reflect the Montana landscape.
Or Ayumi Horie, who beautifully incorporates sgraffito animal drawings into her functional pots.
Jennifer Lee’s hand-built pots, colored with metallic oxides, are another great example of pushing the boundaries of the craft. So keep experimenting, keep learning, and most importantly, keep enjoying the process of creating with clay.